Perhaps the only event bigger than Christmas worth celebrating this year is the release of The 1975's latest album A Brief Inquiry Into Online Relationships, which dropped on Friday.
I've been enjoying the album a lot. So much so that I'm actually interested in reading about music again—at least in this case. Having no intention to write anything about the record myself, I'm sharing some articles written by others which pair nicely with the release.
On their first two albums, The 1975 wore their hearts on their sleeves and hoped other people would relate. ‘A Brief Inquiry...’ sees the band just as bare and open, but this time around, they know they’re not the only ones feeling this way.
“As you grow older and grow as an artist, you become more of a global citizen through touring, meeting more people and just learning about the world. It just becomes a more natural thing to do.”
Every magpied piece of inspiration is fully embraced, every bold decision is celebrated, and every song explores something real. It’s a masterpiece with a lot to say. It’s why The 1975 are such an important band.
"You don’t have to like a band to admit that they’re important. We’ve made an impact. We’ve made an impact on young people. I see it. It’s important to me, it’s a massive part of my life, and if I didn’t believe it, I wouldn’t act accordingly. Music and bands, they were important to me so when I see that replicated in a young person, it’s immediately validated."
A hint at the vibe for Notes On A Conditional Form, due next June
“There are a few lyrics. There are ideas, but there’s a bunch of music. It’s deconstructed. It’s quite English. We’re always going back to a time in our life and referencing certain bits of music from there, and I think this is referencing a lot of UK garage and the feeling of driving on the M25 at night.”
"Self-love, and looking after yourself, and celebration, and not taking the piss, letting go, allowing yourself to look like a knob in front of your mates, these are things that are starting get embraced… I think people (are) honestly owning their fears and their insecurities. But, being open about it is even becoming more attractive to people. Because we’re so aware of it now, we’re aware of how much society deals with mental health issues – but also how popular it is as a subject."
A humorous aside on Piers Morgan riling up his base with inauthentic distain.
"My thing with Piers Morgan is like, listen mate, if you’re a beacon of traditional masculinity, why has the public only ever seen you with a face of make-up on? Maybe I’ll tweet him. I really want him to get me on the show, because he would hate this album more than anybody."
On creating Notes so quickly after A Brief Inquiry...
"My only fear is that because I’ve put this umbrella over both albums, they’ll be perceived as intrinsically connected. The only connection is that we live in a culture where we’ll watch the best thing we’ve ever seen on Netflix, and be like, “That’s the best thing I’ve ever seen”, and then just wanna watch something immediately next. The only reason there’s two albums is because my attention span, like everyone else’s, is shortened. It’s definitely going to have a relationship with (the previous album). But that was never my intention; I’m just making records"
Rolling Stone: The 1975: Drugs, Hits, Rebirth
“It wasn’t partying too hard,” he says. “It was the polarity between connecting with 10,000 people and then going to a hotel room by myself. Mass acceptance and genuine loneliness. It was easier to mediate that with drugs.”
“I do not judge anybody who can’t hold it together. But you’ve got to fucking try. The alternative is so bleak.”
Do you think this current generation of teenagers has it harder than you did?
"Definitely. I have a brother who’s 13 years younger than me. Back when I was in high school, if there was a fight, there’d be the buildup, then the fight, and then the aftermath where people talk shit, but then people would go back to their houses and that was it. But my brother was telling me that now, with Twitter, the fight is the start of it. Once everyone goes home, everyone’s adrenaline is up, so everyone’s like [mimics excitedly typing on a phone]. Then another 15 fights get organized for after school and then that shit kicks off and then you go home, and everyone’s up till like four in the morning, going, “Bro, you’re going to get fucked up!” And then everyone’s super tired and turns up to school all craggy. Nobody can concentrate, everyone’s fighting."
On "Surrounded by Heads and Bodies":
The title of this song is from David Foster Wallace’s Infinite Jest. What significance does that book hold for you?
"I was reading that when I was in rehab. There was no one there. It was me and my nurses, who’d come in and check on me, and then Angela, miles away. I was surrounded by no one, and the book was just open on the front page, as most copies of Infinite Jest are."
The quote comes from the literal opening lines of the book.
"That was kind of the joke. Because nobody reads it all the way! Everyone our age has got a battered, quarter-read copy of Infinite Jest."
Vulture: Interview: Matty Healy of the 1975
The Times: The 1975’s lead singer on new album and beating his heroin addiction [paywalled]
Radio X digs into the entire record with Matty [1:13:30] - YouTube
Genius Verified song dissections:
- "I Always Wanna Die (Sometimes)" - YouTube
- "Sincerity Is Scary" - YouTube
- "Love It If We Made It" - YouTube
Andrew Sacher at Brooklyn Vegan:
The brilliance is more than occasional, and while the lengthy ambient stuff on the last album was respectable, The 1975 benefit from Brief Inquiry‘s more fat-trimmed approach. They’ve actually fit more different types of music on this album than either of its predecessors, but it goes down easier than both of them.
Drew Beringer at Chorus.fm:
If 2016’s I like it when you sleep, for you are so beautiful yet so unaware of it was a band changing the narrative surrounding them, then A Brief Inquiry Into Online Relationships is The 1975 creating the narrative...